This book reimagines what art institutions might become through the lens of three permaculture design principles-observe and interact, obtain a yield, and use and value diversity.Structured in three parts, the book moves between theory, case studies, and in-depth conversations with artists, curators, and collectives who are already reshaping institutional practices from within. Part 1, Observe and interact: transecting current multiple crises in art institutions, examines the limitations of Eur…
This book reimagines what art institutions might become through the lens of three permaculture design principles-observe and interact, obtain a yield, and use and value diversity.
Structured in three parts, the book moves between theory, case studies, and in-depth conversations with artists, curators, and collectives who are already reshaping institutional practices from within. Part 1, Observe and interact: transecting current multiple crises in art institutions, examines the limitations of European funding frameworks and their effects on institutional behaviour. Part 2, Obtain a yield: networks of relationships, resources, and practices, looks at how institutions might cultivate forms of reciprocity and resilience that extend beyond economic value. Part 3, Use and value diversity: imagi(ni)ng alternative narratives and futures, embraces diversity and multiplicity as conditions for institutional renewal.
Rather than providing conclusions, this book invites readers to imagine and co-create the art institutions of the future-fluid, diverse, and deeply intertwined with the ecosystems in which they exist. It will appeal to scholars and upper-level students of cultural studies, social change, cultural management and policy, gender studies, race and racism, and ecology and environmental studies.
This book reimagines what art institutions might become through the lens of three permaculture design principles-observe and interact, obtain a yield, and use and value diversity.
Structured in three parts, the book moves between theory, case studies, and in-depth conversations with artists, curators, and collectives who are already reshaping institutional practices from within. Part 1, Observe and interact: transecting current multiple crises in art institutions, examines the limitations of European funding frameworks and their effects on institutional behaviour. Part 2, Obtain a yield: networks of relationships, resources, and practices, looks at how institutions might cultivate forms of reciprocity and resilience that extend beyond economic value. Part 3, Use and value diversity: imagi(ni)ng alternative narratives and futures, embraces diversity and multiplicity as conditions for institutional renewal.
Rather than providing conclusions, this book invites readers to imagine and co-create the art institutions of the future-fluid, diverse, and deeply intertwined with the ecosystems in which they exist. It will appeal to scholars and upper-level students of cultural studies, social change, cultural management and policy, gender studies, race and racism, and ecology and environmental studies.
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